Movie News

I liked The Equalizer. I liked it more than The Magnificent Seven, which director Antoine Fuqua and star Denzel Washington made after The Equalizer (and is out in theaters today, read our review, plug plug plug plug plug). The Equalizer, loosely based on the TV show of the same name, was a very confident and occasionally very amusing action thriller that was fully self-aware. It’s basically a perfect basic cable movie; you pop in, you watch Denzel beat a room full of guys without breaking a sweat, and then you brush your tweet and go to bed. And the ending, where it basically becomes Home Alone in a Home Depot (they should have called the movie Home Depot Alone, that was a missed opportunity) was tremendous.

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Sure, there’s a ton of great titles headed to Netflix Instant in October, but you better watch the ones that are expiring first. The time for a Back to the Future marathon is now. Or why not revisit Arnold Schwarzenegger’s The Running Man one last time? You also better bump The Exorcist to the top of your queue and reschedule your scary movie night; it’s gonna be long gone before Halloween hits. Also, The Truman Show is leaving, a movie that simply cannot be watched too many times.

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Going to the movies in 2016 can be a frustrating situation. People texting on their phones. Exorbitant ticket prices. People talking on their phones. Sound that’s either way too loud or way too soft. People taking pictures of the screen with their phones and then posting them to Facebook in the middle of the movie. For a lot of these problems, there’s no easy solution. An experience designed to take us away from our everyday troubles is now fraught with them.

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Over the summer, a report suggested that Warner Bros. had put Man of Steel 2 in “active development,” despite reports in 2015 that the sequel to Zack Snyder’s Superman film had been placed on permanent hold. Warner Bros. has yet to confirm plans for a new standalone Superman sequel, but it looks like someone else just did it for them: Henry Cavill’s manager.

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Adam Wingard and screenwriter Simon Barrett have collaborated on several projects together, including recent genre favorites You’re Next and The Guest, in which they subversively repurposed familiar tropes in new and original ways — which is what makes their decision to create a sequel to The Blair Witch Project kind of surprising. A solid follow-up to the 1999 found footage classic, Blair Witch offers recognizable beats with bigger, more frightening (and louder) scares, and a third act that features a pretty clever twist. Ahead of the film’s release, we had a chance to speak with Wingard about the challenges of making a sequel to one of the most beloved horror films, the evolution of found footage and that crazy, mind-bending ending.

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Not long ago, Walt Disney Animation Studios was all but left for dead. Disney subsidiary Pixar was the animated world’s critical darling, and its frequent box office champ. As 2D animation began to lose favor with audiences, so did a lot of Disney proper’s offerings. But the last few years have seen the Mouse House rebound in a major way, with some of the biggest animated hits in the company’s history, including Frozen, Big Hero 6, and Zootopia, which made a whopping $1 billion worldwide earlier this year.

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Gene Wilder, best known for his comedic roles in Willie Wonka and the Chocolate Factory, The Producers, and Young Frankenstein has died at the age of 83.

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September is bringing a whole slew of new titles to Netflix Instant, but that also means a bunch are on their way out. You know you need to weep to ‘A Walk to Remember’ one more time, but you also better cross ‘The Bridge on the River Kwai’ off your list before it’s gone for good. Just make sure you leave time for a double feature of ‘Zoolander’ and ‘Crocodile Dundee.’ Also what the heck is ‘My Babysitter’s a Vampire: The Movie?’ I don’t know, but I think you need to add it to your queue immediately before you miss this opportunity.

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September is only a week away – can you believe it? – and with a new month comes a whole new batch of movies and shows to keep you stuck on your couch. Next month you can look forward to new Netflix Originals like the second season of ‘Narcos,’ ‘Chef’s Table: France’ (make sure you’re stocked with baguettes and brie), and the Amanda Knox documentary. Other highlights include ‘Zootopia,’ all four ‘Jaws’ movies, Season 1 of ‘Supergirl’, Season 6 of ‘The Walking Dead,’ and most exciting for Marvel fans, the series premiere of ‘Luke Cage.’ Cancel your plans, it’s going to be a good month to stay in.

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Look, in the sky! It’s a bird! It’s a plane! It’s a Goodyear tire! No, it’s the new Superman costume from Justice League. Seemingly confirming rumors that the Man of Steel will be wearing a black suit in Zack Snyder’s next superhero epic, Henry Cavill shared a new close-up shot of the Superman costume from the set of the upcoming film — and although you can’t see the entire thing, it is most certainly black.

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The box-office records it demolished over the weekend aren’t the only broken parts of Suicide Squad. For all its admittedly impressive financial success, the movie’s story is shockingly incoherent, and that’s when the film has a story at all. Sure, Will Smith was great and Margot Robbie made an impressively committed Harley Quinn. But in much the same way the Suicide Squad is held hostage in Midway City by sinister bureaucrats, Smith, Robbie, and company are trapped in a movie that gives them very little play and makes even less sense.

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Despite Zack Snyder’s assertion that Batman v Superman: Dawn of Justice is basically a sequel to Man of Steel (it’s totally not), fans are still wondering if and when we might see Superman get a proper standalone follow-up. But Warner Bros.’ DC slate is fairly crowded with two Justice League movies and solo films for Wonder Woman, The Flash, Batman, Aquaman and Cyborg. Last we heard, WB put plans for Man of Steel 2 on “permanent hold,” while Snyder and Henry Cavill expressed interest in the sequel if they could find the time for it. And it looks like that time may be approaching.

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